Wednesday, March 9, 2011

Free Automotive Diagrams

Campagnoli synagogue

Armati di fisarmonica, theremin, scacciapensieri, vanghe, rastrelli e concime. Live in concert broadcasted by NPR All songs considered.

Setlist:

Ghost Woman Blues
Burn
Apothecary Love
Hey, All You Hippies
Matter of Time
Home I'll Never Be (Jack Kerouac cover)
I'll Take Out Your Ashes
To The Ghosts Who Write History Books
Hand Me Down My Walking Cane (Traditional cover)
Love and Altar
A new, unnamed song
Boeing 737
This Goddamn House
Dreams Can Chase You Down
To Ohio

Bis:
Smart Flesh

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Share libertà e di un futuro migliore. Parlavano e facevano del sesso, discutevano di uguaglianza, amore e Vietnam. E fumavano. Ascoltavano Dylan e si adornavano di pendagli floreali. In quel mondo e in quel tempo ci riporta il californiano Alexander Ebert, già frontman degli Edward Sharpe & The Magnetic Zeros (più che una band con 11 elementi, praticamente una comune hippie) al suo primo disco solista. Tra Dylan, per l'appunto, e i Beach Boys in versione acida, tra refusi disneyani e suggestioni morriconiane, il suo folk visionario e fricchettone si dipana sghembo sopra percussioni improvvisate (compresi i sospiri dello stesso Ebert) e incursioni blues (old school, naturalmente). All without ever losing the inspiration and smoke without missteps in the path (despite the slightly understated performance). Disco absolutely crazy as its author, to return half an hour at that time and in that distant world. But no.
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Long, Bright Eyes, The Cave Singers, Charlie Betts, The Civil Wars, Cowboy Junkies, The Dears, The Decemberists, Devotchka, Dolorean, Fleet Foxes, Friska Viljor, Greater Pacific, Grizzly Bear, Heidi Spencer & The Rare Birds, Hey Rosetta!, Iron & Wine, James Blake, Joan As Policewoman, John Vanderslice & The Magik Magik Orchestra, Katie Moore, The Low Anthem, Marianne Faithfull, Mark Growden, Mogwai, Oberon Carter, Patty Pravo, PJ Harvey, The Rural Alberta Advantage, The Sand Band, Sara Lov, The Thoughts, Twilight Hotel, The Twilight Singers, Verdena
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Danny Schmidt, David Wax Museum, Holly Throsby, Josh T. Pearson, Keren Ann, Korey Dane, The Low Anthem, Paolo Benvegnu, Radiohead, Scott Orr, Sean Rowe, Teddy Thompson, The Tree Ring, Trent Dabbs, Wye Oak
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Share Hermann of System Of A Down. But I'm not going to give birth even after brainy musings and readings of others' thoughts. It 'an album of belly listens to his stomach. It 'an episodic film on the cyclical nature of history. Because the history we are. We with our illusions and our hopes, with the deceptions perpetrated and those suffered, with small daily violence and the immense sweetness. If there is a sense in the long path of humanity, with its blind alleys and surprising shortcuts, as in physics is that nothing is created, nothing is destroyed, but everything changes. Our emotions are always the same, since the dawn of man and through the emotions that the world keeps turning. At the same way. Someone, I am sure, will say that Paolone stopped looking inward ('Small fragile film', 'lips') trying to universalize the daunting exercise his eye. Not so, fuck. It may well continue to strive for the goal himself. Within him is the same humanity that might find within myself, within each of you. And do not think that the strength of this disc is found only in the lyrics, as usual bright and sharp as an ax, because the music is beautifully maintained and ispiratissimo rocking, tensions between singer-songwriter, rock and new wave inflections and sequence 'Love is talking ',' Advanced, listen ',' I saw ',' Andromeda Maria ',' Ahab in New York 'is something so intense and deep that it hit and sunk in one fell swoop. For one month, 'Wow' of Verdena, demonstrating that Italian music is not dead yet and is in excellent health despite Sanremo.

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